This article by Martin Seay looks at one of the most utterly vapid and worthless of songs in recent memory and then in several thousands words uses it to draw some exceptionally interesting conclusions. It gets unexpectedly (but completely justifiably) political towards the end. If you can spare the time its well worth a read.
It also caused me to have a mini-epiphany on IM:
paul: "it is—as we say in the post-Rumsfeld parlance of our time—what it is."
more big lebowski references need to be made in regards to Rumsfeld
In fact my mind is currently being blown by the fact Rumsfeld pretty much is the human form of the Big Lebowski
Lots of minor details and intricate plots that go nowhere and in the end, don't matter.
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